Veronica Swift

“She has a miraculous voice, musical ability and technique, as well as an innate gift  for entertaining a crowd.” — Wall Street Journal

Veronica Swift’s new eponymously titled album, her third for Mack Avenue Records,  is a masterful coming-out story. On her previous albums, Confessions (2019) and This Bitter Earth (2021), she ascended to the upper echelon of early 21st century jazz  singers because of her virtuosic brilliance, interpretive ingenuity, bracing  songwriting, and keen arrangements. Simply put, Swift is not only one of the most  dazzling singers to emerge in her generation, she’s one of the most versatile.

While her first two albums solidified her position in modern jazz, Veronica Swift shows that she’s more than a jazz singer, exploring French and Italian opera, European classical music, bossa nova, blues, industrial rock, funk, and vaudeville. She pulls the feat off without the results sounding callow or pastiche. Swift’s expansive artistic voice remains firmly intact regardless of genre.

Swift describes this personal artistic statement on her new album as “transgenre.” “I grew up immersed in the culture of jazz music, blessed to have had some of the  greats as mentors, and I felt a deep familial duty to uphold that” she says, reflecting on her parents - jazz singer and educator, Stephanie Nakasian, and bebop pianist, Hod O’Brien.

“But as rooted in jazz as I’ve been, there’s a uniquely visceral power in rock and soul music that’s always fueled my creative passion, and rather than mask or confine that part of my identity, the people I admire most show themselves unabashedly and that’s the kind of tradition I want to be a part of.

For the album, Swift enlists Brian Viglione of the punk cabaret duo The Dresden Dolls as drummer as well as co-producer along with Swift and Mariano Aponte. Also on board is a motley crew of musicians that includes pianist, keyboardist and organist Adam Klipple of Blood, Sweat, and Tears, pianist and arranger Randy Waldman, guitarists Chris Whiteman and Samson Schmitt, percussionist Luisito Quintero, singer Austin Patterson, violinist and violist Antoine Silverman, violinist Pierre Blanchard, bassists Phillip Norris, Alex Claffy, Antonio Licusati and Felix Maldonado, saxophonists Troy Roberts and David Leon, trumpeters Benny Benack III and James Sarno, trombonist Javier Nero, percussionist Luisito Quintero, accordionist Ludovic Bier, vocalist Carolynne Framil and woodwind player and orchestrator David Mann.