Current Research
University of Idaho faculty members in the Lionel Hampton School of Music are recognized worldwide as accomplished soloists, chamber and orchestral musicians, conductors, composers and teachers. They are leading experts in education, piano, voice, guitar, and orchestra and band instruments, with extensive experience performing professionally in classical, jazz, operatic and popular ensembles. Current faculty research interests and areas of expertise include:
- Pedagogy, 19th century chamber music and the music of Francis Poulenc
- Compositions and arrangements for symphonic bands, wind ensembles, orchestral winds, choirs, jazz bands, symphony orchestras and marching bands
- Composition of music for video documentaries and interactive CD ROM educational software and chamber music
- 19th and 20th century American music, including historiography, criticism and the community band movement in the West
- Performances with Lyric Opera San Diego, Coeur d’Alene Summer Theatre and other regional theaters
- Effects of instrumental music participation on middle and high school students and on senior adults
- Jazz performance and education
- Theory, history and criticism of film music
- Theory pedagogy and analysis
- Pedagogical works of Godowsky, the transcriptions of Franz Liszt
- Piano teaching and performance
- Stages of growth of new teachers, music education in one-room schools, vocal physiology and Byzantine music notation
- Neurological and physical bases for human finger independence
- Music of Abel Carlevaro, Maximo Diego Pujol and Bryan Johanson
- Music of the 19th century virtuoso-composer Johann Kaspar Mertz
- Mental skills and techniques for training and presentation
- Music entrepreneurship
Activities
Sigma Alpha Iota (SAI): Sigma Zeta Chapter, the international fraternity for women in music
Phi Mu Alpha: A music fraternity for men
Collegiate Music Educators' National Conference (CMENC), University of Idaho Chapter
Pi Kappa Lambda: Honorary music society
Student Advisory Board: Acts as liaison between students and music administration
Hands-On Experience
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Final Project (Thesis/Practicum): Some emphases of the Master of Music degree require a written thesis in which you will explore a unique subject resulting in new contributions to knowledge in a specific area. Others require a written document, 25-30 pages long, which supports the final degree project, whether recital or composition. Or, your final project may be in the form of a practicum, the development of an educational theory resulting in teaching materials.
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Assistantships: You may have opportunities to teach applied studio lessons (all instruments and voice), classes (such as assisting with music history, music theory and pedagogy classes), assisting major ensemble directors and performing in public.
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Performance Opportunities:
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Recitals: Master’s students perform solo and chamber recitals or accompanying recitals and composition majors present recitals of their own compositions.
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Ensembles
: We have musical organizations to fit the interests of almost everyone, including the University Chorus, Vandaleers Concert Choir, Opera/Musical Theatre Studio, Symphony Orchestra, Wind Ensemble, Vandal Marching Band, Concert Band, jazz ensembles, and many other performing groups.
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Lionel Hampton Jazz Festival
: This widely popular, four-day event draws hundreds of top jazz artists and spectators from around the world to the University of Idaho each year. Visiting professionals and students in the Lionel Hampton School of Music give evening concert performances and conduct clinics for elementary, junior high and high school students. Lionel Hampton School of Music students perform throughout the event.
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Auditorium Chamber Music Series
: The series presents some of the world's finest chamber ensembles in concert and places these extraordinary musicians in university and public school classrooms and community centers in our region.
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Dancers, Drummers and Dreamers: This spring performance is presented in collaboration with the University of Idaho Department of Dance. All dances are performed to original, live music composed by faculty and students in the Lionel Hampton School of Music.
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Community Performances: The region’s active arts community creates many opportunities for students to perform in a variety of venues.
Facilities
The Music Building houses the Schuldt Music Library, faculty studios, ensemble rehearsal areas, classrooms, an electronic music lab, a music education materials center, a listening center and a recital hall. Individual practice rooms are available in nearby Ridenbaugh Hall. Recording, radio-television, a language listening lab, and computer facilities on the campus are also available to music students.
In addition to organ, harpsichord, harp and piano practice instruments, the school maintains two performance pipe organs, three concert grand pianos and a concert harpsichord.